A 60 Seconds Poetry Project | A Vic’Adex Concepts

Men, Not Gods.

A poem about human agency. A performance that became a refrain. Ten years later, an invitation to make it your own.

Author’s note

The change is in our hands.

Vic’Adex on the poem’s beginnings and its continuing life. Vic’Adex during the period in which Men, Not Gods began
I wrote Men, Not Gods in 2014 to challenge the apathy of many Nigerians: the habit of blaming somebody else when nobody does what anyone could have done. In the poem, men blame the gods for woes created and sustained by human choices. The poem recalls epic scenes from history and stakes a claim that enduring feats were accomplished by people who chose to act. Some faced incredible odds and did not win, but their sacrifices became crucial to victories that followed. By Christian tradition, even the Almighty enters human history by becoming one of us. The poem therefore returns responsibility to human hands. Its life on stage brought a different kind of response. At War of Words 5, the refrain became something the audience could carry together. King Olulu, the slam master, called it “the best performance of the night”. In 2024, its tenth anniversary became an invitation: take the work, respond to it, and let another voice enter the conversation.
Man must learn to take responsibility for himself, he must no longer tranquillize himself with the lies of a fixed fate, he must not lull himself with the lullaby of groundless false hope. He must be bold enough to dare for his dreams. Selah.

The public response · Associated Press, 15 September 2015

“Vic’Adex left the crowd chanting the refrain of his work melding Spartan legend with African revolution.”
Caelainn Hogan’s reporting captures the moment the poem became a shared audience response. Read the AP report
Martin Luther King Jr., 1964
In the end we will remember not the words of our enemies but the silence of our friends.

Attributed to Martin Luther King Jr. · Portrait: Dick DeMarsico / Library of Congress, public domain.

The poem through time

From the page to the room.

2014

The first version

Written in 2014. The earliest public full-poem appearance currently recovered is a Facebook post dated 16 November 2014. The shorter text was subsequently published by The Poetry Court in May 2015, where it placed third in Poets of the Month. Read the early version · May 2015
2015

The expanded performance text

The expanded version is documented in August 2015. War of Words 5 brought the poem to a competitive stage, including a Round 2 encounter with Wome Uyeye. King Olulu, the slam master, called it “the best performance of the night”. Read the current version

Watch the performance

Public reactions

What stayed with the audience.

Across the surviving recordings, viewers returned to the poem’s urgency, memory and refrain.
So many memories and too many goosebumps.
@60secondspoetry · YouTubeView source
That’s my man, VicAdex. You’re on point… I have never witnessed him with so much passion.
@Romataka · YouTubeView source
I wish the world could hear this… Men not gods.
@peternwabueze8582 · YouTubeView source
Indeed, history would remember us as men; not gods.
@archangelpoetry · YouTubeView source
This is beautiful.
@ebiereomoro3450 · YouTubeView source

Reinterpretations beyond the competition

A poem makes room for another voice.

Veteran poets take a crack at the remix.

Spoken-word contributor

Prestige / Ifeanyi Bernard

Prestige at War of Words A veteran voice in the poem’s wider remix life, outside the competition roster. Watch the reinterpretation
Poet · Host · Community steward

Poethick Mayor

Mayowa Odupolu, Poethick Mayor Mayowa Odupolu’s reinterpretation was explicitly shared outside the contest, with visuals credited to Supa Stories. Watch the reinterpretation

2014–2024 · The tenth anniversary

One poem. Many ways to answer.

The 2024 remix competition invited spoken-word artists to respond in their own voices.

The call ran from 28 January to 10 March 2024, with entries up to three minutes long. The evaluator record documents 21 entries, ten shortlisted poets and one wildcard.

Meet the winners

Results announced 1 April 2024.

The listening room

The judges.

Kemi Islamiyat Kemistree Bakare

Kemi Islamiyat “Kemistree” Bakare

Spoken-word artist and educationist whose work uses poetry as a tool for social reflection and transformation. @kemistree_bakare
Kolawole Pariolodo Falade

Kolawole “Pariolodo” Falade

Writer, performance poet and social advocate; Assistant Director at Orange Poetry Africa, working across artistic curation and live poetry. @iampariolodo
David 78th Psalmist Odiase

David “78th Psalmist” Odiase

Transdisciplinary poet and performance artist whose practice spans decolonial poetics, installation and immersive work. @thedavidodiase